HomeBooksOffice RomanceThe Hating Game
The Hating Game by Sally Thorne book cover
🌶🌶🌶 3/5
The Hating Game
Sally Thorne

The Hating Game

2016 · 376 pages · Contemporary Romance · Standalone
Feels like: realizing you've memorized your enemy's coffee order, their exact shade of blue eyes, and the way they smell when they lean too close — and calling it hatred.
"The Hating Game didn't invent office enemies-to-lovers. It just made every book after it have to try harder."
Mood
🎭 Competitive tension
Spice
🌶🌶🌶 3/5
Pacing
⏱ Slow simmer, fast ignite
Length
📖 376 pages
Ending
💛 HEA (Happily Ever After)
Series
📚 Standalone
Office Romance Enemies to Lovers Romantic Comedy Slow Burn Forced Proximity

Sort By Cravings is reader-supported. When you buy through links on our site, we may earn an affiliate commission at no extra cost to you.

Quick verdict

Use this profile to decide whether The Hating Game fits your current mood, heat comfort, trope cravings, and time commitment before you pick it up.

  • Best starting clues: 376 pages, Spice 3/5, Banter Heavy mood, Enemies To Lovers trope.
  • 6 book profile links help you compare before choosing.
  • 2 related guide links keep the craving going.
  • Shopping and format links appear only where usable outbound data exists.

Reader fit

376 pages

Read if

  • Readers checking whether The Hating Game fits before committing.
  • Readers currently craving a banter heavy mood.
  • Readers who care about enemies to lovers signals.

Skip if

  • Readers who need live price or availability details before leaving the site.

Read if / skip if

Read if

  • You want banter heavy energy.
  • You are actively looking for enemies to lovers.

Skip if

  • You need live price, inventory, narrator, or subscription data on the page today.

Mood breakdown

Use these mood cues to decide whether this path feels dark, cozy, romantic, emotional, or easier to save for later.

  • Banter Heavy

Spice breakdown

  • Spice 3/5
  • Use this as a comfort-zone clue before you commit.

Trope breakdown

Follow these trope cues when you want the same emotional engine in a different book or guide.

  • Enemies To Lovers
  • Slow Burn
  • Forced Proximity

Pacing and commitment

  • 376 pages
  • moderate commitment
Weekend Timeline

How The Hating Game actually reads.

376 pages. You'll start it thinking it's cute. You'll finish it blushing on public transit.

Friday night
You meet Lucy Hutton and Joshua Templeman, two executive assistants who share a desk and loathe each other with suspicious precision. Their rivalry plays out in color-coded outfits, staring contests, and the kind of petty office warfare that makes you wonder why they're paying so much attention. You're smiling already.
Saturday morning
The promotion announcement changes everything. Only one of them gets the job, and both want it desperately. The games stop being fun and start meaning something. Then the elevator scene happens. You put the book down. You pick it back up. You read it again.
Saturday afternoon
Lucy starts seeing Josh outside of work and the walls crack open. His family, his past, the reason he's been so guarded. You realize Thorne's been hiding a character study inside a rom-com, and it's working on you harder than you expected.
Saturday evening
Final act. The professional stakes collide with the personal ones. There's a grand gesture. There's an earned HEA. You close the book, text three friends about it, and immediately search "books like The Hating Game."
The Spice Roadmap

Where the heat happens.

Spice 3/5 — the tension does the work. The payoff arrives late but lands hard.

0–25%
Weaponized eye contact. Lucy and Josh trade insults and staring contests across their shared desk. Every accidental touch is cataloged and overanalyzed. The heat is in what Lucy notices and tries not to name.
25–50%
The elevator. The scene that made this book famous. A confined space, an argument, and a kiss that neither of them planned. The slow burn cracks wide open. Lucy's internal monologue goes from hostile to flustered in real time.
50–75%
Outside the office. Paint-balling, his apartment, his family. Physical tension escalates in private spaces. Thorne draws it out masterfully — every almost-moment builds pressure.
75–100%
Full payoff. Explicit scenes arrive in the final quarter. They're emotionally earned and focused on vulnerability over acrobatics. The spice serves the love story, not the other way around.
TL;DR: Spice 3/5 — The Hating Game is a masterclass in delayed gratification. The tension is the foreplay. The explicit scenes are the exhale.
Before & After

What The Hating Game does to you.

Before you read it

You think office romance is boring
You think enemies-to-lovers needs a war or a kingdom
You think a staring contest can't be romantic
You think 376 pages isn't enough for a slow burn
You think rom-coms can't make you feel things

After you read it

You understand that a shared desk is a battlefield
You know that a promotion is enough to raise the stakes
You've been ruined by a fictional man's blue eyes and you're not even sorry
You've texted someone "read this book immediately" at midnight
You'll never look at an elevator the same way again
Custom Fit Notes

Why The Hating Game gets this profile.

A page-specific read on fit, heat, pacing, and commitment.

Best reader match
The Hating Game is strongest for someone craving a contemporary romance read centered on forced proximity and office.
Commitment check
373 pages, fast pacing, and a full-weekend read. This is the time investment Sally Thorne is asking for.
Heat and tone
Spice 3/5 means explicit enough to matter, still plot-aware; the close aims for a happily-ever-after promise.
Why it is not interchangeable
The Hating Game is treated as a standalone fit check: no reading-order homework required. Expect quick-moving once it catches movement rather than a generic shelf pull. Reader signal: 3.95/5 across 600+ ratings.
Deep-Dive Reading Guide

The full spoiler-free profile for The Hating Game

The Hating Game by Sally Thorne is not just a title to file under Contemporary Romance. A better way to read this page is as a decision brief: what kind of attention does the book want, what kind of mood does it reward, and what kind of reader is most likely to finish satisfied? The surface facts matter because they shape the experience before the first chapter even has a chance to win you over. 373 pages is a different promise from 180 pages. Spice 3/5 is a different promise from a closed-door read. Fast pacing sets an expectation for how quickly the book should start paying you back.

For romance readers, the central test is emotional payoff. The page should tell you whether the attraction, obstacle, and relationship movement are enough to justify the time. With The Hating Game, the key signal is Forced Proximity and Office: that is the promise you should measure every chapter against. That does not mean every chapter has to be loud. It means the book has to keep proving why its particular mix belongs together. When a page says The Hating Game is a contemporary romance read with Forced Proximity and Office, the practical question becomes simple: do you want that specific recipe, or do you only want the broad genre? Genre gets you into the bookstore aisle. The deeper profile tells you whether this is the copy you take home.

The Hating Game has a 3.95/5 reader signal across 600+ ratings, so the useful question is not whether anyone likes it. The useful question is whether its particular mix of length, heat, pacing, and mood matches the book you actually want tonight. Ratings can be helpful, but they flatten the reason readers respond. A five-star reader may love the exact thing a two-star reader cannot stand: the burn rate, the length, the relationship logic, the violence level, the interiority, the ending style, or the way the author spends time. This guide treats those details as the real decision points. The goal is not to prove that The Hating Game is universally good. The goal is to make the match honest.

The Hating Game reads as a standalone decision on this page. You can judge the fit without checking a reading-order chart first, which makes the compatibility notes more direct: if this mood, pace, and hook sound right, you can start here. If you are choosing a book late at night, that distinction matters. A standalone can be a clean mood solve. A series entry is more like opening a door and agreeing to keep walking. Even when the page does not spoil plot details, it can still tell you what kind of commitment the book is asking for: the emotional energy, the number of pages, the heat level, the pacing style, and the likelihood that you will want another book queued up when you finish.

The best fit for The Hating Game is a reader who wants feel good energy without needing the page to pretend the book is something else. If you want explicit enough to matter, still plot-aware heat, quick-moving once it catches movement, and a happily-ever-after promise, the profile is pointing in the right direction. If you want a completely different shape, this is where the page should save you time. A good recommendation page is not only a sales pitch. It is also a filter. It should make the wrong reader feel free to skip without guilt.

Length is part of the story. At 373 pages, The Hating Game is a full-weekend read, which changes how you should approach it. A shorter book can win through compression: one sharp premise, one clean emotional curve, one sitting where the mood stays intact. A longer book has to earn its space by making room for escalation, character pattern, context, or a fuller atmosphere. The reading-time estimate of about 6h 50m is not just a number. It is a reminder that this book is asking for a particular kind of evening, weekend, or week.

Pacing is the second major signal. Fast pacing usually means the book is not only about what happens, but when the book decides to spend or withhold momentum. If the page says The Hating Game is quick-moving once it catches, read the opening with that in mind. Do not ask a slow-burn book to behave like a chase scene by chapter two. Do not ask a fast book to stop and build a museum of lore. The real question is whether the pacing matches the kind of pleasure the book is promising.

Spice level is another form of reader expectation, especially because many books get recommended across audiences with very different comfort zones. Spice 3/5 means explicit enough to matter, still plot-aware. That should tell you whether the intimacy, if any, is likely to be a side note, a relationship engine, a tension release, or a major part of the appeal. A low-spice book can still be intensely romantic or emotionally charged. A high-spice book can still have plot discipline. The number is not a moral score; it is a fit score.

The ending label matters because it affects the aftertaste. The Hating Game points toward a happily-ever-after promise, and that is the emotional contract you are walking toward. Some readers want closure. Some want a cliffhanger because the unresolved energy is the fun. Some want a darker landing because neatness would feel false. If you have ever loved most of a book and then felt betrayed by the final twenty pages, this is the detail to check before starting.

The most useful way to read The Hating Game is to watch for whether Sally Thorne's choices reinforce the same core promise: Forced Proximity and Office. In a strong fit, the tags should not feel pasted on. Mood should show up in scene rhythm. Pacing should show up in chapter pressure. Heat should show up in the emotional math, even when the book is low-spice. The ending should feel like the book has been training you for that landing, not like a random turn added because the genre needed one.

Opening promise

The first useful question is not "is this good?" but "what contract is the opening making?" For The Hating Game, that contract is tied to contemporary romance, feel good mood, and Forced Proximity and Office. If the first session makes those signals feel alive, the rest of the book has a clear job.

Middle pressure

Around the midpoint, pay attention to whether the book is deepening the same appeal or simply repeating it. Fast pacing should still feel intentional here. In a well-matched read, the middle makes the original hook more expensive, more complicated, or more emotionally specific.

Character investment

Even when this page does not include plot spoilers, character investment is visible through fit signals. A reader who wants feel good contemporary romance usually needs the cast, voice, or central relationship to make the page count feel earned. That is the heart of the commitment check.

Heat usefulness

Spice 3/5 should be read as function, not decoration. If the book is low-heat, the emotional or conceptual engine has to carry more weight. If it is high-heat, the intimate moments should still change the pressure in the story instead of pausing it.

Mood consistency

Feel Good is the mood signature. The strongest pages keep that signature recognizable even when the plot changes speed. A book can surprise you without breaking its promise; the shift should feel like escalation, not like a different book wandered in.

Final aftertaste

Because the ending points toward a happily-ever-after promise, the last stretch should leave the right kind of residue. That might be relief, ache, curiosity, shock, warmth, or a need to open the next book. The key is whether the ending matches the appetite that brought you here.

Reader decision matrix

Read it for: Forced Proximity and Office, feel good energy, fast pacing, and a contemporary romance experience that knows its lane.

Do not read it for: A guaranteed match for every reader. The page is specific because The Hating Game is specific; the wrong mood will make even a strong book feel flat.

Best format: Any format that lets you keep momentum. The audiobook can work well if the sample matches the tone you want.

Best timing: A weekend with room to come back for more. The reading-time estimate is about 6h 50m.

Conversation value: Strong if your group likes talking about fit: pacing, heat, mood, ending style, and whether Sally Thorne's choices made the page count feel earned.

Shelf test: Keep it on your list if Contemporary Romance and Office Romance, Forced Proximity and Office, and spice 3/5 sound like a craving rather than a compromise.

Book club deep cuts

1. At what point did The Hating Game prove what kind of book it wanted to be? Use this question to talk about the reading experience rather than retelling the plot. The best answers will point back to mood, pacing, heat, commitment, and whether the book delivered the craving it promised.

2. Did the fast pacing help the story, or did you want a different rhythm? Use this question to talk about the reading experience rather than retelling the plot. The best answers will point back to mood, pacing, heat, commitment, and whether the book delivered the craving it promised.

3. Was Forced Proximity and Office a true engine for the book, or mostly a label that helped describe it afterward? Use this question to talk about the reading experience rather than retelling the plot. The best answers will point back to mood, pacing, heat, commitment, and whether the book delivered the craving it promised.

4. How much did the feel good mood affect your willingness to keep reading? Use this question to talk about the reading experience rather than retelling the plot. The best answers will point back to mood, pacing, heat, commitment, and whether the book delivered the craving it promised.

5. Did the 373-page length feel earned by the end? Use this question to talk about the reading experience rather than retelling the plot. The best answers will point back to mood, pacing, heat, commitment, and whether the book delivered the craving it promised.

6. If you changed the spice level from 3/5, would the book improve or lose part of its identity? Use this question to talk about the reading experience rather than retelling the plot. The best answers will point back to mood, pacing, heat, commitment, and whether the book delivered the craving it promised.

7. Did the ending deliver a happily-ever-after promise, and was that the landing you wanted? Use this question to talk about the reading experience rather than retelling the plot. The best answers will point back to mood, pacing, heat, commitment, and whether the book delivered the craving it promised.

8. What reader would you recommend The Hating Game to without hesitation? Use this question to talk about the reading experience rather than retelling the plot. The best answers will point back to mood, pacing, heat, commitment, and whether the book delivered the craving it promised.

9. What reader should avoid it, even if the genre sounds appealing? Use this question to talk about the reading experience rather than retelling the plot. The best answers will point back to mood, pacing, heat, commitment, and whether the book delivered the craving it promised.

10. Which expectation did the book meet most clearly: genre, mood, pacing, heat, or ending? Use this question to talk about the reading experience rather than retelling the plot. The best answers will point back to mood, pacing, heat, commitment, and whether the book delivered the craving it promised.

11. Would you read more from Sally Thorne based on this specific experience? Use this question to talk about the reading experience rather than retelling the plot. The best answers will point back to mood, pacing, heat, commitment, and whether the book delivered the craving it promised.

12. If you had to pitch the book in one craving sentence, what would you say? Use this question to talk about the reading experience rather than retelling the plot. The best answers will point back to mood, pacing, heat, commitment, and whether the book delivered the craving it promised.

Finish-line verdict

The Hating Game is most useful as a recommendation when the page stays specific. Calling it contemporary romance is only the beginning; the real profile is 373 pages, fast pacing, spice 3/5, feel good mood, and a happily-ever-after promise. Those details tell you what kind of reading night the book is likely to create.

If those signals line up with what you want, this is the kind of page where the answer can be yes quickly. If they do not line up, the page has still done its job. It saved you from forcing a book into the wrong moment and then blaming the book for not being a different one.

The deeper way to use this guide is to compare it against your current appetite. Are you looking for speed or immersion? Heat or restraint? Closure or continuation? Familiar genre comfort or a sharper mood fit? The Hating Game becomes easier to choose when you stop asking whether it is broadly popular and start asking whether it matches the exact craving in front of you.

That is the Sort By Cravings philosophy: recommendations should be practical, emotional, and honest. A book page should help you picture the reading experience before you commit. For The Hating Game, the picture is a contemporary romance read shaped by Forced Proximity and Office, carried by quick-moving once it catches movement, and finished with a happily-ever-after promise.

Compatibility Check

Should you swipe right?

The honest fit check — before you commit 376 pages.

♥ Swipe right if...

You love slow burn where both characters are in denial
Witty banter and verbal sparring is your love language
You want an office romance that actually feels like an office
You need a guaranteed HEA — no cliffhangers, no series commitment
You want the book that started the BookTok office romance wave

✕ Swipe left if...

You need high spice early — this book makes you wait
First-person POV with constant internal monologue annoys you
Workplace power dynamics feel uncomfortable rather than fun
You want complex external plot — this is character-driven, not event-driven
You dislike heroines who are short and bubbly — Lucy is very that
Workplace power dynamics Explicit sexual content (late) Family pressure Body image comments Mild emotional manipulation Alcohol use
I'm ready to hate-read my way into love →
Emotional Sparkline

What you'll feel, and when.

AnnoyanceThe ElevatorDoubtYearningJoy

The Hating Game's emotional arc is a slow crescendo disguised as a comedy. You'll laugh for the first half, then realize you're emotionally invested in two people who refuse to admit they like each other. The elevator scene is the fulcrum — everything before it is setup, everything after is free fall.

From the Pages

Lines that live rent-free.

"I have a theory. Hating someone feels disturbingly similar to being in love with them."
The thesis statement of the entire book — and Lucy doesn't realize she's telling on herself
"What's my favorite color?" "Blue."
The staring contest that proves they've been studying each other all along
"I'd give everything I own for the chance to press Rewind."
Josh, being vulnerable for the first time — and it wrecks you because you didn't see it coming
Real Talk

Things the back cover won't tell you.

Lucy's internal monologue is intense. She catalogs Josh's every micro-expression, every outfit change, every eye-color shift. Some readers find this endearing. Others find it obsessive. Know which camp you're in before you start.
Josh's behavior in early chapters reads differently in 2026 than it did in 2016. Some of his workplace games would now read as hostile. Thorne wrote it as chemistry. Your mileage may vary on where the line is.
The movie (2021, Lucy Hale, Austin Stowell) is fine but can't replicate what makes the book work: Lucy's obsessive narration. The elevator scene translates. The internal spiral doesn't.
This is a standalone. No series commitment, no cliffhanger, no sequel-bait. You get a complete love story in 376 pages. That's increasingly rare and genuinely refreshing.
Sally Thorne's second book (99 Percent Mine) divided readers. If you love The Hating Game, manage expectations for her backlist — this one caught lightning.
Pacing Map

How the ride feels.

Office warfareTension cracksWalls come downFull surrender

The pacing is deceptively even. You think you're reading a lighthearted rom-com until you realize Thorne has been quietly building emotional infrastructure the entire time. The final act doesn't feel rushed — it feels inevitable.

What The Hating Game Is Really About

On paper, The Hating Game is about two executive assistants who share a desk and compete for the same promotion. Lucy Hutton is small, colorful, and desperate to be liked. Joshua Templeman is tall, monochrome, and seems determined to make her life miserable. They play games — staring contests, outfit wars, petty one-upmanship — and the entire office watches like it's a spectator sport.

What Sally Thorne actually wrote is a book about what happens when you pay closer attention to someone you hate than to anyone you've ever loved. Lucy knows Josh's schedule, his coffee order, the exact shade his eyes turn when he's angry versus amused. She calls it surveillance. The book calls it something else entirely. The enemies-to-lovers arc works because both characters have been falling in love in plain sight and refusing to name it.

The office setting isn't just a backdrop — it's a pressure cooker. They can't escape each other. Every interaction has witnesses. The promotion stakes give the rivalry real consequences, and when the personal and professional collide in the final act, Thorne earns the payoff she's been building for 300 pages. The elevator scene that made this book famous is the moment the mask slips, and everything after it is the freefall.

The Hating Game Tropes & Themes

Lucy and Josh's hatred is specific and personal — not political, not arranged, not circumstantial. They chose to hate each other. Which means the moment they choose differently, it hits like a freight train. This is the contemporary template.
Shared desk. Same boss. Adjacent chairs, eight hours a day, five days a week. They can't avoid each other, can't stop noticing each other, and can't figure out why they care so much. Forced proximity doesn't get more literal than this.
The elevator scene is the match strike. Everything before it is kindling. Thorne understands that slow burn isn't about withholding — it's about accumulating. Every staring contest and accidental touch is a deposit that the elevator scene cashes in.
Grumpy/Sunshine
Josh is cold, precise, and deliberately intimidating. Lucy is warm, colorful, and tries too hard to be liked. The contrast drives the comedy and the chemistry. When Josh's walls finally crack, the sunshine gets in — and he doesn't want it to leave.

Books Like The Hating Game

Need more office tension and competitive banter? Our full guide goes deeper with 20+ matched recommendations.

Same office energy
The Unhoneymooners by Christina Lauren
Enemies stuck in forced proximity on a tropical vacation. If you loved Lucy and Josh's competitive games, Olive and Ethan play a different version of the same sport.
Same slow burn
Beach Read by Emily Henry
Two rival writers. One summer. A bet that forces them into each other's worlds. If the banter is what hooked you, Emily Henry delivers it differently but just as well.
Same competitive heat
Love on the Brain by Ali Hazelwood
STEM workplace, enemies who are actually pining, and a hero who's been in love longer than the heroine realizes. Hazelwood cites Thorne as an influence, and it shows.
Same author
Second First Impressions by Sally Thorne
Thorne's quieter follow-up. A buttoned-up retirement home manager meets a tattooed free spirit. Lower stakes, same character depth, gentler heat.

🎧 Audiobook Verdict

NarratorKatie Schorr
Length~9 hours 30 minutes
POVFirst person (Lucy)
Katie Schorr nails Lucy's obsessive internal monologue — every cataloged micro-expression, every self-correction, every moment of denial. The narration makes you feel like Lucy's best friend listening to her spiral. Perfect commute listen — you'll finish it in a work week. Listen on Audible →

💬 Book Club Starters

Is Josh's early behavior genuinely hostile or a misread love language? Where's the line?
Does the power dynamic of competing for the same promotion make the romance more or less ethical?
Lucy's narration is obsessively detailed about Josh. Romantic or concerning?
Does the movie do the book justice — and can any adaptation capture first-person denial?
Reading Pace Calculator

How long will The Hating Game take you?

Based on ~95,000 words across 376 pages.

At 250 words per minute, The Hating Game will take you about 6 hours 20 minutes. That's one lazy Saturday or a few evening sessions.
Reader Poll

The elevator scene — overhyped or iconic?

What happens in The Hating Game? (light spoilers — tap to expand)

Lucy Hutton and Joshua Templeman are executive assistants to co-CEOs at a publishing house formed by a merger. They sit across from each other, share every task, and have been waging a cold war since day one. When a promotion to COO is announced, the rivalry gets real stakes — whoever doesn't get the job will likely quit or be reassigned.

The games they play — staring contests, outfit mimicking, the "Hating Game" itself — start to shift. Lucy begins noticing things about Josh that don't fit her narrative: small kindnesses, protective gestures, the way he watches her when he thinks she's not looking. The elevator kiss detonates the denial both of them have been maintaining.

The second half explores who Josh actually is outside the office. A visit to his family reveals warmth and vulnerability he's been hiding. The promotion decision forces both characters to choose between career ambition and the relationship they've accidentally built. The resolution is earned, warm, and satisfying — a proper HEA with no sequel-bait.

About Sally Thorne

Sally Thorne is an Australian author who works in a day job in publishing — which is why the office dynamics in The Hating Game feel so precisely observed. The shared desk, the merger politics, the passive-aggressive email culture: Thorne wrote what she knew, and it shows in every detail.

The Hating Game was her debut novel and became a word-of-mouth phenomenon that predicted the BookTok office romance boom by half a decade. She followed it with 99 Percent Mine (2019) and Second First Impressions (2021). Her style is character-first, voice-heavy, and unapologetically romantic. More on her author page.

Scene Anatomy

Why the elevator scene works.

The most famous scene in modern rom-com — broken down.

Setup: 150+ pages of staring contests, color-coded outfits, and Lucy cataloging Josh's every expression. By the time they're in the elevator, you've absorbed her obsessive attention to him. You know what his hands look like. You know his eye color. You know more than you should.
Confined space: An elevator is maybe thirty square feet. Two people who've been orbiting each other at arm's length are suddenly too close. Thorne uses the physical constraint to force honesty — there's nowhere to retreat.
The pivot: The argument tips into contact. The contact tips into the kiss. The kiss answers every question the first half of the book has been asking. It's not surprising. It's inevitable — and that's what makes it devastating.
The aftermath: They have to go back to work. Same desk. Same rivalry. Same promotion at stake. The elevator didn't resolve anything — it complicated everything. That's the engine of the second half.
Page vs Screen

The movie adaptation — honest take.

The Hating Game (2021) · Lucy Hale · Austin Stowell · Directed by Peter Hutchings

What the movie gets right

The elevator scene translates almost perfectly to screen
Lucy Hale captures the bubbly-but-insecure energy
The office set design feels appropriately sterile and tense
The paintball scene is genuinely fun on film

What gets lost

Lucy's obsessive internal monologue is the book's secret weapon — film can't replicate it
Josh's subtle expressions that Lucy narrates are invisible without her commentary
The slow burn feels compressed — 376 pages become 102 minutes
The "Smurfette" nickname and game mechanics lose nuance in dialogue-only format

Verdict: Read the book first. Watch the movie to revisit the elevator scene. Accept that some books are internal experiences that cameras can't fully capture.

Game Index

Lucy & Josh's greatest hits.

The games they play — ranked by how obviously they're flirting.

👀
The Staring Game. They lock eyes across the desk and whoever breaks first loses. Lucy describes Josh's eye color in more detail than any human reasonably would. She doesn't realize she's already lost.
👔
The Mirror Game. Josh starts wearing the same colors as Lucy. She retaliates. It becomes an arms race of coordinated outfits that the entire office notices before they do.
🎯
The Elevator Game. Not the famous scene — the daily micro-warfare of who enters first, who holds the door, who stands where. Every elevator ride is a negotiation disguised as coincidence.
💣
The Hating Game itself. The meta-game that contains all other games. Points for making the other person react. Points for maintaining composure. Neither of them tracks the score anymore — they just keep playing because stopping would mean admitting why they started.
Legacy Check

Ten years later — does it hold up?

Published August 2016. Still getting daily BookTok recommendations in 2026.

What aged perfectly: The tension mechanics. The slow burn structure. Lucy's voice. The elevator scene. The fundamental insight that paying obsessive attention to someone you "hate" is just love with the labels ripped off.
What aged differently: Some of Josh's early workplace behavior reads as more aggressive than Thorne intended. The power dynamics around the shared promotion are more scrutinized now. The "grumpy man is actually soft inside" archetype has been done a thousand times since — but this was one of the originals.
Its real legacy: The Hating Game proved that a contemporary office romance with zero fantasy elements, zero billionaires, and zero external threats could sell millions of copies on voice alone. Every BookTok office romance owes it rent.
Character Profile

Joshua Templeman — a field guide.

The love interest that launched a thousand "grumpy hero" reading lists.

Surface read
Tall. Cold. Wears only white shirts and dark suits. Speaks in monosyllables. Wins every argument through silence. Appears to genuinely despise Lucy and everything she stands for.
What Lucy notices
His eyes change color depending on his mood. He brings her a specific type of tea without being asked. He memorized her Smurf collection order. He gets protective when other men get close. He has been paying attention to everything.
What the family visit reveals
He's warm with people he trusts. He came from a family that expected toughness. The office armor isn't who he is — it's how he survives corporate environments. Lucy isn't his enemy. She's the only person he's been himself around without realizing it.
Why he works
Josh Templeman is the blueprint for the "grumpy hero who's been in love the whole time" trope because Thorne reveals his feelings through actions, not declarations. He never says "I've loved you since day one." He just acts like someone who has — and lets you figure it out.
Mood Pairings

Read it when you're craving...

Office Romance Romantic Comedy Comfort Reads Slow Burn Romance Banter Heavy Standalones Debut Novels Movie Adaptations

The Hating Game is the perfect palate cleanser after heavy fantasy, the perfect re-read when you need to feel something warm, and the perfect recommendation when someone asks "where do I start with romance?"

Disclosure: Some outbound links are affiliate links. As an Amazon Associate, Sort By Cravings earns from qualifying purchases at no extra cost to you.

Need a cleaner match?

Use the craving quiz to sort by mood, spice, trope, and time commitment.

Take the craving quiz